supported by 13 fans who also own “Infinite Father”
I predominantly got this for the first track. The news reporter’s dramatised and slick narrativisation of human suffering, juxtaposed with wry reporting on a “celestial event,” that flattens both into equally streamlined consumerist fodder, is a problematic redoubled, and perhaps highlighted, by enjoying that very thing set to extremely funky music. Maybe there is some working through to do here… errantzephyr
supported by 13 fans who also own “Infinite Father”
Flores uses some of the best synth sounds I’ve ever heard and writes good songs but again the singing is just flat out bad. I feel like Flores has heard this criticism before and tried to make up for it with this album by using reverb, doing occasional whisper singing and just hiding his voice in the background and it still doesn’t work for me. I really want to like Flores but the voice just kills it. Dionysus Virus
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024